"I was extravagant in the matter of cameras - anything photographic - I had to have the best. But that was to further my work. In most things I have gone along with the plainest - or without"

Edward Weston, a popular 20th-century photographer, is often commemorated for his dedication to his art, and this quote encapsulates his dedication to his craft and the simplicity of his way of life. When Weston claims he was "lavish in the matter of video cameras", he recommends that he invested greatly in photographic devices, valuing quality and excellence above financial issues. This extravagance isn't suggested as profligacy; rather, it's a tactical investment to "more [his] work". Weston's acknowledgment of needing "the very best" highlights his recognition of the significance of high-quality tools in attaining creative excellence. His devotion to obtaining top-tier photographic devices highlights a passionate commitment to his craft, ensuring his creative vision was never prevented by technical limitations.

On the other hand, the latter part of the quote, "In a lot of things, I have actually supported the plainest - or without", reveals a plain simplicity in other elements of his life. This contrast between overindulgence for his work and simpleness in other places speaks with a focused prioritization. Weston's lifestyle suggests that he was a guy who understood what was truly important to him-- his art-- and wanted to sacrifice other comforts or luxuries to improve his creative pursuits.

Additionally, this dichotomy hints at a philosophical viewpoint valuing compound over superficiality. In everyday life, Weston embraced minimalism, possibly finding charm in the easy and the unadorned, except where it may hinder his capability to create photographic art. His dedication to the "simplest" method of living suggests an intentional choice to avoid diversions or unneeded embellishments, focusing his resources-- both monetary and mental-- on his photography.

In essence, Weston's quote is a testimony to an artist's devotion and the sacrifices made for one's passion. It highlights the necessary options between individual and professional aspects of life, suggesting that real artistry typically requires a reevaluation of what is essential.