"I was part of the draft resistance movement in LA where we did demonstrations at the draft centre and burned our cards and made a lot of trouble on campus"
About this Quote
There is a mischievous pride baked into Marin's memory: not the pious kind of activism that begs to be sanctified, but the street-level, troublemaking kind that treats authority as something you can heckle. "Draft resistance" is the formal label, yet he quickly drops into action verbs - "did demonstrations", "burned our cards", "made a lot of trouble" - like a set list of bits escalating toward a punchline. The cadence matters. He frames dissent as performance: public, risky, slightly gleeful.
The subtext is that resistance in late-60s/early-70s Los Angeles wasn't just ideology; it was an identity you tried on in real time, with the draft center as a stage and the campus as a second venue. Burning draft cards was a literal act and a media-ready symbol, designed to provoke a reaction from the state and from your peers. Marin doesn't over-moralize it, which is its own moral stance: he refuses the clean narrative of heroic protester versus evil system and instead captures how movements actually feel from the inside - messy, communal, adrenaline-driven.
Context does the heavy lifting. The Vietnam-era draft turned young men's bodies into government inventory. LA, with its churning counterculture and policing, made "trouble" a serious charge, not a cute anecdote. Coming from a comedian, the line also signals origin story: the instinct to puncture authority, to turn fear into bravado, to treat public life as something you can disrupt. That sensibility would later power satire that wasn't abstract - it was lived.
The subtext is that resistance in late-60s/early-70s Los Angeles wasn't just ideology; it was an identity you tried on in real time, with the draft center as a stage and the campus as a second venue. Burning draft cards was a literal act and a media-ready symbol, designed to provoke a reaction from the state and from your peers. Marin doesn't over-moralize it, which is its own moral stance: he refuses the clean narrative of heroic protester versus evil system and instead captures how movements actually feel from the inside - messy, communal, adrenaline-driven.
Context does the heavy lifting. The Vietnam-era draft turned young men's bodies into government inventory. LA, with its churning counterculture and policing, made "trouble" a serious charge, not a cute anecdote. Coming from a comedian, the line also signals origin story: the instinct to puncture authority, to turn fear into bravado, to treat public life as something you can disrupt. That sensibility would later power satire that wasn't abstract - it was lived.
Quote Details
| Topic | War |
|---|---|
| Source | Help us find the source |
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