"I was terribly shy when I was growing up, I really wasn't confident with other people and I think I was always afraid of up or not being this very cool, amazing person that I wanted to be"
About this Quote
Mortimer’s sentence tumbles forward the way insecurity does: breathless, self-correcting, almost tripping over its own honesty. The repetition of “I” and the hedges (“I think,” “really,” “always”) aren’t verbal clutter so much as a performed memory of shyness - the speaker still negotiating permission to be taken seriously. Even the slip (“afraid of up or not being”) reads like a mind replaying an old fear in real time, as if the anxiety is too familiar to smooth into a polished anecdote.
The intent isn’t confession for its own sake; it’s calibration. An actress, a profession built on being watched, frames her origin story around not feeling watchable enough. That contradiction is the hook: the public assumes performers are naturally confident, while she points to confidence as a costume she had to learn to wear. The phrase “this very cool, amazing person that I wanted to be” reveals the real antagonist - not other people, but an internal casting director with impossible standards. “Cool” and “amazing” are deliberately adolescent words, the kind you’d use before you have the adult vocabulary for self-worth. She’s signaling how early the pressure to be legible, impressive, and socially effortless sets in.
In a celebrity culture that rewards curated self-mythology, Mortimer opts for a messier truth: ambition doesn’t always arrive as swagger. Sometimes it arrives as fear of being ordinary, and the work becomes building a self you can stand behind in a room full of strangers.
The intent isn’t confession for its own sake; it’s calibration. An actress, a profession built on being watched, frames her origin story around not feeling watchable enough. That contradiction is the hook: the public assumes performers are naturally confident, while she points to confidence as a costume she had to learn to wear. The phrase “this very cool, amazing person that I wanted to be” reveals the real antagonist - not other people, but an internal casting director with impossible standards. “Cool” and “amazing” are deliberately adolescent words, the kind you’d use before you have the adult vocabulary for self-worth. She’s signaling how early the pressure to be legible, impressive, and socially effortless sets in.
In a celebrity culture that rewards curated self-mythology, Mortimer opts for a messier truth: ambition doesn’t always arrive as swagger. Sometimes it arrives as fear of being ordinary, and the work becomes building a self you can stand behind in a room full of strangers.
Quote Details
| Topic | Confidence |
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