"If I went out in killer heels and full makeup, blow dry, the whole thing - anyone dressed up like that could be intimidating to men and women, really. It's so, look at me. Do you know what I mean? But I love women"

Rachel Weisz's words reflect a nuanced observation about the power and perception of femininity, especially when it is expressed in overtly glamorous or striking ways. She describes dressing up in an unmistakably bold and polished style, wearing "killer heels and full makeup, blow dry, the whole thing", as a way of commanding attention, consciously or not. The transformation into such a stylized appearance becomes, in her eyes, inherently attention-grabbing, demanding to be noticed and admired.

She suggests that this heightened display of feminine aesthetics can be intimidating, not just to men but to women as well. The phrase "it's so, look at me" highlights the performative aspect of beauty and fashion, emphasizing the statement-making nature of such choices. Weisz acknowledges a social reality: when someone embraces visible glamour and self-presentation, it can disrupt the normal dynamics of social interaction. People may respond with envy, admiration, discomfort, or even apprehension, simply because the person is unapologetically placing herself in the spotlight. The implication is that there’s power in self-presentation, but also risk, a possibility of being misunderstood, judged, or even resented.

Despite recognizing the intimidating aspect of such aesthetics, Weisz goes on to clarify her feelings: "But I love women". This ending reveals her admiration and affection for women, possibly for their complexity, their confidence in expressing themselves, or for their courage to embrace visibility in various forms. The statement counters any assumption of competitiveness or negativity between women, reaffirming solidarity and support. Weisz's words ultimately explore the complicated interplay between self-expression, societal expectations, power, and mutual understanding within and across genders. She celebrates femininity in its boldest expressions, all while recognizing the intricate ways it can shape relationships and perceptions.