"If rock-and-roll is well done, there's nothing so terribly wrong with that kind of music. But the lyrics are another story"

Kate Smith's quote offers an appealing point of view on the genre of rock-and-roll, highlighting a nuanced appreciation for its musical components while all at once critiquing its lyrical content. Her declaration suggests a clear difference in between the crucial and vocal dimensions of rock-and-roll, commemorating the former for its visual and technical accomplishments while revealing bookings about the latter.

Smith's recognition that "if rock-and-roll is well done, there's nothing so extremely incorrect with that type of music" highlights an openness to the artistry associated with its musical composition. This declaration can be interpreted as a gratitude for the competent blend of rhythm, melody, and development characteristic of the genre. Rock-and-roll, known for its energetic beat, electric guitar riffs, and vibrant performances, represents a powerful type of musical expression that resonates deeply with listeners, providing a psychological and visceral experience. Smith seems to applaud these elements, recognizing the genre's capacity to engage and captivate audiences through its large musical workmanship.

Nevertheless, her subsequent caveat, "But the lyrics are another story", indicates a belief that the words accompanying the music might not constantly promote the very same standard. This critical view likely comes from the understanding that rock-and-roll lyrics, especially those emerging throughout its developmental years, often revolved around styles that were defiant or questionable. Such styles may include vibrant defiance, subversion of social norms, or the exploration of taboo topics, which might have raised concerns about their impact on society, particularly on impressionable audiences.

In this quote, Kate Smith encapsulates a more comprehensive cultural debate surrounding rock-and-roll during its rise to prominence. Her sentiment shows a stress between valuing musical innovation and coming to grips with the prospective societal effects of lyrical material. This viewpoint invites ongoing discussion about the role of music and lyrics in forming cultural stories and affecting public mindsets.