"If you look at the game and everything, it's not quite like looking at an animated film, because that's total character. This, this is really movement, but it's got funny little things if you look for the humor. They're actually getting to the character"

Don Bluth, a revered figure in animation, provides an appealing point of view on the crossway of video games and animated movies in this quote. He acknowledges the nuanced distinction between the two media types, suggesting that although video games share some aspects with animated films, they stay basically different. The essence of his declaration lies in understanding the nature and portrayal of characters in each medium.

Bluth suggests that animated films offer a total encapsulation of character-- a "overall character"-- through diligently crafted stories, expressions, and nuances that define standard animation. These characters are body and soul constructs, artfully established to stimulate particular feelings and connections with the audience. On the other hand, video games, while using comparable artistic techniques, offer a component of interaction and movement that set them apart from films. The characters in video games are not merely to be seen; they are planned to be interacted with, providing a dynamic form of storytelling where the gamer exercises a degree of control over the narrative.

In addition, Bluth mentions the subtle humor and unique peculiarities embedded within the video gaming experience. The phrase "funny little things if you look for the humor" suggests that games often integrate unanticipated elements or surprises that add to their charm and appeal. These subtleties may go unnoticed unless actively looked for, highlighting the interactive nature of games and the layers of engagement they need.

In essence, Bluth appreciates the intricacy and depth produced by the interactive motion of computer game, acknowledging that while they might lack the "overall character" achieved in movies, they have their own brand of character advancement through playable constructs and environmental storytelling. By "getting to the character", he implies that video games use an unique path to character understanding, one that is driven by gamer firm and discovery.