"If you shoot at mimes, should you use a silencer?"
About this Quote
Steven Wright’s line is a perfect little logic grenade: it detonates only after your brain politely tries to make sense of it. The joke takes the old macho premise of gun use and self-serious “tactical” talk (the silencer, the implied violence, the fantasy of control) and runs it through the most nonviolent target imaginable: a mime, the patron saint of silent performance. If you shoot at mimes, should you use a silencer? The question is absurd, but it’s absurd with engineering behind it.
The intent is to force a collision between sound and silence. A silencer exists to suppress noise; a mime exists to manufacture meaning without noise. Wright’s deadpan persona thrives on these mismatched categories. He’s not telling you to picture a shooting so much as to picture a rulebook trying to keep up with a universe that doesn’t care about the rules. The subtext is a quiet jab at how often we reach for “solutions” that only make sense inside a genre - action movies, hardboiled fantasies, the fetish of accessories - even when the scenario itself is morally and practically nonsensical.
It also lands as a miniature satire of audience expectations. We “get” mimes as silent, so we assume silence must be protected, enhanced, made more efficient. The punchline is the recognition that we’ve followed the question far enough to treat it as reasonable. Wright’s comedy works by catching us in that moment of complicity: we’re already thinking about etiquette in a situation that shouldn’t exist.
The intent is to force a collision between sound and silence. A silencer exists to suppress noise; a mime exists to manufacture meaning without noise. Wright’s deadpan persona thrives on these mismatched categories. He’s not telling you to picture a shooting so much as to picture a rulebook trying to keep up with a universe that doesn’t care about the rules. The subtext is a quiet jab at how often we reach for “solutions” that only make sense inside a genre - action movies, hardboiled fantasies, the fetish of accessories - even when the scenario itself is morally and practically nonsensical.
It also lands as a miniature satire of audience expectations. We “get” mimes as silent, so we assume silence must be protected, enhanced, made more efficient. The punchline is the recognition that we’ve followed the question far enough to treat it as reasonable. Wright’s comedy works by catching us in that moment of complicity: we’re already thinking about etiquette in a situation that shouldn’t exist.
Quote Details
| Topic | Witty One-Liners |
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