"I'm a huge fan of Canadian rock-and-roll. When I was growing up, Rush came out with a record called Hemispheres, and I must have listened to that record for two years straight. Even when I was asleep I had it on. So, yeah, whenever I hear a Rush tune, the first thing I think of is Toronto"
- Kiefer Sutherland
About this Quote
In this quote, Kiefer Sutherland reveals his deep gratitude for Canadian rock-and-roll, particularly highlighting his admiration for the band Rush and their album "Hemispheres". Sutherland's declaration reveals a sentimental connection to the band's music, recommending that their work considerably influenced his formative years. By claiming that he listened to the album for 2 years straight and even kept it on while sleeping, Sutherland underscores the profound impact that "Hemispheres" had on him, both mentally and culturally.
His mention of Toronto suggests how music typically works as an anchor for memories, tying noises to specific locations and times in one's life. For Sutherland, Rush's tracks aren't simply songs; they are evocative of Toronto, either since of the band's origins or personal experiences tied to the city. It highlights how home town pride can intertwine with musical taste, ensuring bands emblematic of a particular region or age.
Sutherland's option to point out Rush, a quintessential Canadian rock band understood for their complicated compositions and philosophical lyrics, likewise indicates his gratitude for musical workmanship. It's significant that "Hemispheres" is typically commemorated for its ambitious styles and elaborate musicianship, which might suggest that Sutherland values depth and complexity in music, looking for records that offer more than mere home entertainment.
Furthermore, Sutherland's reflections can resonate with lots of who associate specific albums or artists with considerable durations in their lives. It prevails for people to have music that serves as a soundtrack to their experiences, creating a long-lasting psychological resonance. These connections demonstrate how deeply music can embed itself into individual history, ending up being an example for reminiscence and identity. In the very same method, Rush's music becomes a part of Sutherland's internal landscape, clearly remembering a time, a location, and a sensation, all with the play of a single track.
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