"I'm always interested in mixing technology and music. You know, maybe I'll have a MIDI bass pickup at some point, I don't really think that's the direction I would want to go"

In this quote, Mike Gordon, a distinguished artist, expresses both interest and uncertainty about integrating technology into music, particularly with tools that may impact his instruments. The reference of "mixing innovation and music" shows his openness to exploring how technological advancements can boost or transform musical production and efficiency. This pursuit prevails amongst contemporary musicians, who frequently look for ingenious methods to press the borders of their work and engage audiences utilizing modern-day tools.

The particular reference to a "MIDI bass pickup" highlights one such technological advancement. MIDI, or Musical Instrument Digital Interface, enables electronic musical instruments, computer systems, and other devices to interact and synchronize, essentially allowing digital control over musical instruments. A MIDI bass pickup would transform the vibrations of bass strings into digital signals, providing possibilities such as setting off synthesizers or tape-recording straight into digital software application.

Nevertheless, Gordon's follow-up, "I don't truly think that's the instructions I would wish to go", suggests a hesitation or booking about adopting this technological course. This uncertainty might occur from a range of reasons: an attachment to the organic feel and control of conventional bass playing, issues over losing a personal touch when presenting such technology, or simply a choice for the visual and sound qualities of analog instruments.

Additionally, his declaration might show a broader discussion within the music neighborhood about the effect of technology on artistry. While technology can broaden creative horizons, artists typically face maintaining the credibility and emotional expression that identify live, unprocessed music. Gordon's quote encapsulates this stress, balancing the enjoyment of development with a regard for conventional music-making procedures.

Ultimately, Gordon's reflection is a testimony to the more comprehensive conversation in music about how to best incorporate technology without losing the essence of musical expression. It underscores a thoughtful deliberation of how finest to browse the evolving landscape of musical technology.