"I'm crazy about westerns. I need to do a western once in a while. It's like you know, eating bread, eating pasta, drinking wine. It's in my blood. I need it"
About this Quote
Franco Nero's quote expresses a deep, intrinsic passion for the western category, comparing it to vital, daily pleasures and needs such as eating bread, pasta, or drinking red wine. Through these comparisons, Nero communicates that his affinity for westerns is not simply an expert option but a fundamental part of his identity and cultural heritage.
The analogy to standard yet precious staples like bread and pasta recommends that westerns are not merely a preference for Nero, but rather an essential component of his creative and individual life. This comparison highlights how performing in or producing westerns is as natural and required to him as consuming everyday meals, supplying a source of convenience and familiarity. Nero's usage of "in my blood" suggests that his connection to westerns is almost hereditary or instinctual; it is not just a casual interest or phase, but a deep-rooted passion intrinsic to who he is.
Nero mentions the requirement to work on a western "every now and then", which suggests a repeating desire, a regular yearning similar to appetite. This likewise highlights how participating in the category charges him artistically, much like how delighting in a preferred meal may invigorate one's spirit. Within the larger context of his profession, this insight highlights how crucial it is for an artist to remain linked to their core motivations to keep authenticity and enthusiasm in their work.
His love for westerns might likewise be connected to their themes of flexibility, experience, justice, and the pioneering spirit-- all aspects that can resonate on a personal level with actors and audiences alike. Ultimately, by stressing the elemental, nearly primal connection he feels towards westerns, Nero is not only sharing his personal history with them but likewise inviting us to appreciate the genre's ageless, universal appeal.
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