"I'm definitely incredibly attracted to the aesthetic of what is typically deemed goth stuff, but. A lot of my experience growing up was in being around that kind of thing, and it's just what sinks into a person's brain"

In this quote, Jhonen Vasquez articulates an individual and reflective insight into his tourist attraction to the gothic visual. This declaration brings considerable weight as it touches upon both personal identity and the impact of subcultural environments. Vasquez begins by acknowledging a strong and clear tourist attraction to what is traditionally recognized as "goth stuff", meaning a connection that surpasses simple choice to something deeply ingrained or instinctual.

Making use of the word "aesthetic" underscores a more comprehensive appreciation for the visual and climatic components associated with the goth subculture. This can include whatever from fashion, art, and architecture to literature, music, and film. The goth aesthetic is often identified by its accept of dark themes, melancholic beauty, and a particular romanticism linked with macabre elements. By describing his tourist attraction as "definitely extremely", Vasquez communicates an enthusiastic intensity in his affinity, suggesting that this visual holds considerable meaning for him.

The second part of the quote offers context, as he assesses his upbringing and developmental experiences, which were steeped in gothic impacts. Vasquez appears to recommend that his exposure to these styles was not a superficial dalliance, but rather a significant part of his environmental and cultural childhood. When he points out that "it's simply what sinks into a person's brain", there is an idea that these impacts have an enduring and possibly subconscious influence on personal and innovative expression.

In essence, Vasquez is exploring the idea of identity formation through cultural exposure. The gothic visual, for him, is not simply an outer shell he chooses to use however a deeply internalized worldview that has been cultivated over time. This revelation talks to the wider theme of how individual and artistic identities are frequently shaped by the cultural and social environments we occupy, suggesting that looks are not just visually valued, however are lived experiences that shape awareness and creativity.