"I'm looking for a feel and I have to find what that feel is before I can move on from there. I'm not necessarily catching stuff in such a simple way - I don't need to. So, I'm going for something else"

Danny Elfman's quote encapsulates the creative procedure with a concentrate on the intrinsic mission for credibility and creativity in art, particularly in music structure. He articulates a search for an evasive 'feel,' suggesting an emotional or experiential essence that he requires to determine before progressing with his work. This 'feel' can be understood as the core emotion or atmosphere he wants to communicate through his music, which may not be right away tangible or quickly categorized.

Elfman suggests that the innovative process is not direct or straightforward. His rejection to catch things in a 'simple method' alludes to the complexity and depth of his creative ambition. He looks for to transcend traditional or simplified solutions that may restrict the richness of his work. Therefore, he is inspired by an underlying 'something else'-- a pursuit of innovation and deeper significance.

The quote shows Elfman's commitment to an exploratory artistic journey instead of sticking to formulaic techniques. As a composer understood for his ingenious and typically unconventional ratings, Elfman's process might involve a considerable amount of instinctive browsing and experimentation before getting to something that resonates with his preliminary vision. This attitude towards imagination highlights the significance of patience and perseverance in creative endeavors.

In a more comprehensive sense, Elfman's words can influence artists from all disciplines to count on intuition and to prioritize individuality over conventional expectations. The emphasis on 'discovering the feel' priorizes individual complete satisfaction and authenticity in the creative process. It's about cultivating a special voice and withstanding the urge to comply with external pressures or simplified approaches. For Elfman, this method is not just about making up efficient music; it's about forging a personal connection with his work and imparting that credibility to his audience.