"I'm not gangly; I'm very coordinated. I do have a bit of a baby face. But I guess that just means I'll be working longer"

In this quote, Tim Robbins provides a self-reflective peek into his self-perception and the nuances of how he sees himself fitting into the broader context of his occupation, likely the show business. By dissecting his words, we can explore styles of physical look, self-identity, and profession durability.

Firstly, Robbins begins by rejecting the label of "gangly", which describes somebody who is awkwardly high and thin, potentially communicating clumsiness. By asserting, "I'm extremely coordinated", he counters any presumptions about his physical dexterity and grace. This part of the quote exposes a self-assuredness concerning his physicality, suggesting that in spite of possibly not fitting the conventional mold or expectations of physical appearance, he has a sense of confidence in his abilities and how he navigates the world.

The reference of a "infant face" talks to understandings of youthfulness. In the context of acting or any visual-centric profession, having a younger look can indicate adaptability in functions and an extended profession life-span. An actor with a "child face" may convincingly play younger characters longer, possibly widening the scope of roles readily available as they age. Robbins' tone here seems practical and even optimistic, indicating that this particular, in some cases viewed as a small remark, is helpful to him professionally.

The conclusion, "I think that just implies I'll be working longer", touches on the style of profession longevity. This shows an insightful understanding of how specific characteristics, possibly viewed critically by society, can be leveraged to one's benefit, particularly in an industry where external perceptions extremely influence professional opportunities.

In general, Robbins' quote records a self-awareness and flexibility, turning possibly limiting understandings into strengths. It reveals a mix of humor and wisdom, acknowledging that not sticking to conventional aesthetic appeals or stereotypes can be harnessed as a possession, enabling him to take a long-lasting and varied career.