"I'm really not that weird. I'm a combination of a lot of different things. Maybe it's just easier to make me look weird than another model who is specifically Caucasian"
About this Quote
Aoki is pushing back on the fashion industry’s favorite trick: turning difference into a storyline that can be packaged, photographed, and sold. “I’m really not that weird” isn’t a plea for normalcy so much as a refusal of the role she’s been assigned. The sentence lands with a tired clarity, like someone who’s answered the same question too many times. She’s naming how “weird” often functions as a polite, marketable substitute for “not white” in spaces where whiteness is still treated as the default setting.
The quote’s power is in its double edge. On one hand, she asserts a plain reality: she’s “a combination of a lot of different things,” a straightforward description of mixed identity that refuses the industry’s appetite for clean categories. On the other, she exposes the mechanics behind the label: it’s “easier” to frame her as unusual than to interrogate why a “specifically Caucasian” model reads as neutral, unmarked, simply “a model.” That word “specifically” does real work, puncturing the myth that whiteness is just the absence of specificity.
Context matters: Aoki came up in late-90s/early-2000s fashion and celebrity culture, when “exotic” was still tossed around like a compliment and editorial diversity often meant a single, spotlighted exception. She’s not rejecting being distinct; she’s rejecting being made into a spectacle. The subtext is a critique of an industry that celebrates “edge” as long as it can be pinned to someone else’s face.
The quote’s power is in its double edge. On one hand, she asserts a plain reality: she’s “a combination of a lot of different things,” a straightforward description of mixed identity that refuses the industry’s appetite for clean categories. On the other, she exposes the mechanics behind the label: it’s “easier” to frame her as unusual than to interrogate why a “specifically Caucasian” model reads as neutral, unmarked, simply “a model.” That word “specifically” does real work, puncturing the myth that whiteness is just the absence of specificity.
Context matters: Aoki came up in late-90s/early-2000s fashion and celebrity culture, when “exotic” was still tossed around like a compliment and editorial diversity often meant a single, spotlighted exception. She’s not rejecting being distinct; she’s rejecting being made into a spectacle. The subtext is a critique of an industry that celebrates “edge” as long as it can be pinned to someone else’s face.
Quote Details
| Topic | Equality |
|---|---|
| Source | Help us find the source |
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