"In my lifetime, we've gone from Eisenhower to George W. Bush. We've gone from John F. Kennedy to Al Gore. If this is evolution, I believe that in twelve years, we'll be voting for plants"
About this Quote
Lewis Black’s joke isn’t really about botany; it’s about the slow-motion insult of lowered expectations. By framing U.S. politics as “evolution” and then twisting the word into its opposite, he hijacks the language of progress Americans love to tell about themselves. The punchline works because it treats political decline as not just possible but inevitable, a natural law sliding toward photosynthesis.
The specific intent is comic outrage with a scoreboard. Eisenhower and Kennedy aren’t invoked as saints so much as shorthand for a mid-century ideal of competence, charisma, and a sense that the adults were, at minimum, in the room. Bush and Gore become symbols of a later era’s bureaucratic churn and partisan absurdity, where the choices feel less like visions than products in a bad aisle: pick your disappointment, now with more talking points.
The subtext is pure Black: anger dressed up as incredulity. He’s not making a careful historical claim that one administration is “better” than another; he’s performing the exhausted citizen’s fantasy that something has been stripped out of public life, leaving only inert options. “Voting for plants” lands because it’s a ridiculous escalation that still feels emotionally plausible: if leadership keeps getting more passive, why not elect something literally rooted in place?
Context matters: Black’s persona crystallized in the post-2000, post-9/11 media ecosystem, when politics began to feel like a permanent stress test. The joke is a pressure valve, but also a warning: when satire starts sounding like a ballot guide, cynicism has already won.
The specific intent is comic outrage with a scoreboard. Eisenhower and Kennedy aren’t invoked as saints so much as shorthand for a mid-century ideal of competence, charisma, and a sense that the adults were, at minimum, in the room. Bush and Gore become symbols of a later era’s bureaucratic churn and partisan absurdity, where the choices feel less like visions than products in a bad aisle: pick your disappointment, now with more talking points.
The subtext is pure Black: anger dressed up as incredulity. He’s not making a careful historical claim that one administration is “better” than another; he’s performing the exhausted citizen’s fantasy that something has been stripped out of public life, leaving only inert options. “Voting for plants” lands because it’s a ridiculous escalation that still feels emotionally plausible: if leadership keeps getting more passive, why not elect something literally rooted in place?
Context matters: Black’s persona crystallized in the post-2000, post-9/11 media ecosystem, when politics began to feel like a permanent stress test. The joke is a pressure valve, but also a warning: when satire starts sounding like a ballot guide, cynicism has already won.
Quote Details
| Topic | Sarcastic |
|---|---|
| Source | Help us find the source |
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