"In scoring, I usually start with a sound or group of sounds, searching out what feels right"

Jim Coleman's quote, "In scoring, I usually start with a sound or group of sounds, locating what feels right", provides a nuanced insight into the imaginative process of music composition for visual media. This approach stresses the organic and user-friendly nature of producing music that aligns with the feelings and story of the visual story it accompanies.

The expression "I usually begin with a noise or group of noises" recommends that Coleman's process is exploratory and speculative from the start. Rather than beginning with a stiff structure or preconceived theme, he immerses himself in the auditory experience, enabling the intrinsic qualities of noises to motivate and direct his composition. This might involve try out different instruments, tonalities, and even non-traditional noises to stimulate particular state of minds or environments. Such a method acknowledges the power of sound as a foundational component, capable of forming and specifying the emotional landscape of a scene or series in a film or tv production.

The latter part of the quote, "seeking what feels right", highlights the importance of instinct and psychological resonance in Coleman's work. Music for scoring is not practically technical accuracy or adherence to theoretical frameworks; it has to do with getting in touch with the audience on a visceral level. By concentrating on what "feels right", Coleman stresses the psychological journey of scoring, where the author should stay deeply attuned to the emotional hints and thematic components of the narrative. The objective is to produce a smooth combination between the visual and auditory elements, improving the audience's general experience.

In essence, Coleman's quote encapsulates the cooperative relationship between discovery and feeling in scoring. It underscores the concept that music composition is as much an artistic undertaking as it is a technical one, requiring both imagination and level of sensitivity to craft noises that resonate with audiences on an emotional level. Through this process, Coleman reveals the transformative power of music in storytelling, where a carefully picked noise can raise the narrative and stimulate profound psychological responses.