"In this world of doubt, one thing is certain for me; that I will go on writing songs up to and - I hope, through heavenly means or diabolical - beyond the day I die"
About this Quote
Hitchcock frames songwriting less as a career than as a stubborn metaphysical condition: doubt may rule the world, but his compulsion to write is the one hard fact he can stand on. The line’s power comes from its swaggering refusal of neat spiritual branding. “Heavenly means or diabolical” drags art-making out of the cozy “gift” narrative and into darker territory: creation as possession, as bargaining chip, as something that might cost you. It’s funny, but the humor is doing defensive work, turning the fear of mortality into a dare.
The syntax is deliberately lopsided, almost conversationally breathless, as if the thought can’t be contained by punctuation. That messiness matters: it mimics the restless mind that keeps generating songs, even when certainty is scarce. He doesn’t promise good songs, successful songs, or songs that “matter.” He promises continuation. In an era that measures musicians by output cycles, branding, and “content,” Hitchcock’s vow is oddly anti-industrial. It’s not productivity; it’s persistence.
Contextually, Hitchcock sits in that lineage of cult artists who treat songwriting as a private cosmology rather than a public scoreboard. The subtext is a refusal to retire, explain himself, or let the market, aging, or genre fashion declare an endpoint. By fantasizing about writing past death, he turns the artist’s oldest anxiety (silence) into a punchline - and a creed.
The syntax is deliberately lopsided, almost conversationally breathless, as if the thought can’t be contained by punctuation. That messiness matters: it mimics the restless mind that keeps generating songs, even when certainty is scarce. He doesn’t promise good songs, successful songs, or songs that “matter.” He promises continuation. In an era that measures musicians by output cycles, branding, and “content,” Hitchcock’s vow is oddly anti-industrial. It’s not productivity; it’s persistence.
Contextually, Hitchcock sits in that lineage of cult artists who treat songwriting as a private cosmology rather than a public scoreboard. The subtext is a refusal to retire, explain himself, or let the market, aging, or genre fashion declare an endpoint. By fantasizing about writing past death, he turns the artist’s oldest anxiety (silence) into a punchline - and a creed.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
More Quotes by Robyn
Add to List



