"Internet journalism is not a world we know very well at all. It's conducted more on the screen and less in bars, which makes it rather less useful for getting stories about people throwing up over one another, which is what one's after"
About this Quote
Hislop’s gag lands because it’s half confession, half curmudgeonly diagnosis of a media ecosystem that’s swapped sweat for pixels. The line pretends to mourn a quaint old reporting method - bars, booze, bodily mishaps - but the joke is really about access, power, and what journalism rewards. When he says online reporting is “less useful” for stories about people “throwing up over one another,” he’s not simply being gross for effect; he’s pointing at the kind of human messiness that fuels certain brands of British political and celebrity journalism, the stuff Private Eye has long skewered and profited from in equal measure.
The subtext is that “real” stories aren’t born from pristine information flows; they’re born from proximity, social friction, and compromised discretion. Bar culture stands in for a whole informal economy of tips, leaks, and off-the-record candor - where reputations slip, loyalties loosen, and someone says the quiet part out loud. Screens, by contrast, produce traceable communication and curated selves. They’re efficient, but they’re also self-policing.
Context matters: Hislop is an editor-comedian who built a career on puncturing the self-seriousness of institutions, including his own industry. So the cynicism is pointed inward. He’s mocking nostalgia for the grubby romance of Fleet Street while also hinting that internet journalism, for all its speed, can be thinner on texture - less “I was there,” more “I saw it trend.” The punchline is bodily, but the target is epistemic: how do you know what you know when you can’t smell the room?
The subtext is that “real” stories aren’t born from pristine information flows; they’re born from proximity, social friction, and compromised discretion. Bar culture stands in for a whole informal economy of tips, leaks, and off-the-record candor - where reputations slip, loyalties loosen, and someone says the quiet part out loud. Screens, by contrast, produce traceable communication and curated selves. They’re efficient, but they’re also self-policing.
Context matters: Hislop is an editor-comedian who built a career on puncturing the self-seriousness of institutions, including his own industry. So the cynicism is pointed inward. He’s mocking nostalgia for the grubby romance of Fleet Street while also hinting that internet journalism, for all its speed, can be thinner on texture - less “I was there,” more “I saw it trend.” The punchline is bodily, but the target is epistemic: how do you know what you know when you can’t smell the room?
Quote Details
| Topic | Internet |
|---|---|
| Source | Help us find the source |
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