"It had long since come to my attention that people of accomplishment rarely sat back and let things happen to them. They went out and happened to things"
About this Quote
Da Vinci’s line flatters the modern cult of agency, but its bite comes from how unromantic it is. “People of accomplishment” aren’t blessed by fate; they’re inconvenient to it. The phrasing turns success into a kind of physics: events don’t merely occur, they get pushed, redirected, engineered. You can almost hear the workshop behind the sentence - a mind trained to see the world as materials, mechanisms, and problems that yield to deliberate pressure.
The subtext is also a quiet rebuke to the spectator posture. “Sat back” isn’t just laziness; it’s submission to the script other people write. Da Vinci implies that waiting to be chosen is a category error. The accomplished aren’t simply talented, they’re aggressive editors of circumstance. That distinction matters because it reframes genius as behavior. Inspiration is demoted; initiative is promoted.
Context sharpens it. Da Vinci lived in a Renaissance economy where patronage ruled and reputation traveled on rumor, drawings, and demonstrations. You didn’t “apply” for greatness; you performed it into existence - courting patrons, staging proofs, inventing your own job. His notebooks read like a man refusing to be limited by a single identity: artist, engineer, anatomist, impresario. He wasn’t passively “multitalented”; he was actively self-authoring.
There’s a hard edge here, too: the world doesn’t naturally reward merit, so the accomplished develop a kind of strategic impatience. Not entitlement - leverage. Da Vinci isn’t offering self-help; he’s describing the Renaissance survival skill of making history stop happening to you.
The subtext is also a quiet rebuke to the spectator posture. “Sat back” isn’t just laziness; it’s submission to the script other people write. Da Vinci implies that waiting to be chosen is a category error. The accomplished aren’t simply talented, they’re aggressive editors of circumstance. That distinction matters because it reframes genius as behavior. Inspiration is demoted; initiative is promoted.
Context sharpens it. Da Vinci lived in a Renaissance economy where patronage ruled and reputation traveled on rumor, drawings, and demonstrations. You didn’t “apply” for greatness; you performed it into existence - courting patrons, staging proofs, inventing your own job. His notebooks read like a man refusing to be limited by a single identity: artist, engineer, anatomist, impresario. He wasn’t passively “multitalented”; he was actively self-authoring.
There’s a hard edge here, too: the world doesn’t naturally reward merit, so the accomplished develop a kind of strategic impatience. Not entitlement - leverage. Da Vinci isn’t offering self-help; he’s describing the Renaissance survival skill of making history stop happening to you.
Quote Details
| Topic | Motivational |
|---|---|
| Source | Rejected source: The Romance of Leonardo da Vinci, the Forerunner (Merezhkovsky, Dmitry Sergeyevich, 1941)EBook #47902
Evidence: hat the spring had come and felt his heart swelling with strange emotions of tenderness and melancholy nanna nanna where hast thou got to thou little devil what hath happened to thine ears Other candidates (2) Geary's Guide to the World's Great Aphorists (James Geary, 2007) compilation98.4% ... Leonardo's first painting instructor ] was Leonardo da Vinci , " Vasari ... It had long since come to my attentio... Leonardo da Vinci (Leonardo da Vinci) compilation34.8% like one who being poor comes last to the fair and can find no other way of providing himself than by taking all the ... |
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