"It is happy for you that you possess the talent of flattering with delicacy. May I ask whether these pleasing attentions proceed from the impulse of the moment, or are they the result of previous study?"
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Jane Austen’s writing is renowned for its wit and keen observation of social intricacies, and the lines “It is happy for you that you possess the talent of flattering with delicacy. May I ask whether these pleasing attentions proceed from the impulse of the moment, or are they the result of previous study?” deftly capture both. These words, spoken by one character to another, are dryly humorous while also subtly calling attention to social gamesmanship.
The speaker’s tone is both complimentary and faintly ironic. By noting the “talent of flattering with delicacy,” the speaker acknowledges that the other person is adept at offering compliments, not merely blunt or awkward flattery, but praise delivered with subtlety and charm. The word “delicacy” is crucial here, suggesting that these attentions are refined and tailored, making them more effective and plausible.
Yet, underlying this surface compliment is a subtle skepticism. The second sentence pivots from praise to gentle mockery. By questioning whether these “pleasing attentions” are spontaneous or the outcome of “previous study,” the speaker raises the idea that the flattery might be less than genuine. The implication is that the flatterer could be deliberately manipulative, crafting these comments ahead of time to achieve a particular effect. This both diminishes the seeming sincerity of the praise and holds a mirror to the complex social rituals of Austen’s era, where wit and social maneuvering were often intertwined.
Austen’s sentence construction, marrying politeness with pointed complexity, encapsulates the delicate balance of candor and civility present in much of her work. The passage becomes not merely an observation about another’s behavior but a wry commentary on the nature of social interaction, how much of what is said is honest feeling, and how much is calculated performance. Through such exchanges, Austen playfully exposes the artifice and performative skill required to navigate the world of manners in her time.
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