"It is tough to say what has influenced me the most because I know that Mozart makes me think better, but you cannot beat Dave Matthews for feeling good!"
About this Quote
Astin’s line is a neat little self-portrait of taste as self-management: Mozart for the brain, Dave Matthews for the bloodstream. It lands because it refuses the usual culture-war binary where “highbrow” confers legitimacy and “popular” signals guilty pleasure. Instead, he treats music like two different medicines he actually takes, depending on what the day is asking of him.
The phrasing does important work. “Mozart makes me think better” isn’t a claim about sophistication so much as function: classical as cognitive scaffolding, the kind of soundtrack people reach for when they need order, focus, or a sense of mastery. Then he pivots with “but you cannot beat Dave Matthews for feeling good!” The exclamation point matters. It’s not defensive; it’s relief. Matthews stands in for a certain American, post-college optimism: jam-band looseness, communal singalongs, the promise that the world is still basically friendly for four minutes at a time.
Subtextually, it’s also an actor talking about performance states. “Think better” reads like table work, memorization, craft. “Feeling good” is what you need on set at 5 a.m., in press, in the long middle of a career where the job is as much emotional regulation as talent. The quote’s intent isn’t to rank composers; it’s to normalize the idea that our cultural diets are situational and strategic. Taste, here, isn’t an identity badge. It’s a toolkit.
The phrasing does important work. “Mozart makes me think better” isn’t a claim about sophistication so much as function: classical as cognitive scaffolding, the kind of soundtrack people reach for when they need order, focus, or a sense of mastery. Then he pivots with “but you cannot beat Dave Matthews for feeling good!” The exclamation point matters. It’s not defensive; it’s relief. Matthews stands in for a certain American, post-college optimism: jam-band looseness, communal singalongs, the promise that the world is still basically friendly for four minutes at a time.
Subtextually, it’s also an actor talking about performance states. “Think better” reads like table work, memorization, craft. “Feeling good” is what you need on set at 5 a.m., in press, in the long middle of a career where the job is as much emotional regulation as talent. The quote’s intent isn’t to rank composers; it’s to normalize the idea that our cultural diets are situational and strategic. Taste, here, isn’t an identity badge. It’s a toolkit.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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