"It seems like when I first started, people got into comedy because they wanted to be good comedians"
About this Quote
Nostalgia can be a weapon, and Wanda Sykes knows how to swing it without pretending the past was pure. That opening, "It seems like", is a comedian's hedge that doubles as a dare: she frames the claim as an observation, not a sermon, which keeps it funny while letting the critique land. She is talking about craft, but also about motive. The punch is in the implication that something has shifted from making the room laugh to making the algorithm notice.
The subtext is less "kids these days" than "the incentive structure changed". In Sykes's early grind, the gatekeepers were clubs, bookers, late-night sets, and the brutal feedback loop of bombing. Wanting to be "good" meant building material that could survive in any room, with any crowd, night after night. Now the comedy economy rewards a different kind of competence: being clip-ready, outrage-proof (or outrage-optimized), and brand-consistent. You can "win" without ever developing the muscle memory that comes from eating it onstage.
There's also a quiet jab at how celebrity leaks into the art form. People pursue comedy as a route to visibility, or as a content vertical, not as a discipline. Sykes doesn't deny ambition; she indicts the substitution of fame for mastery. The line works because it's deceptively plain. No grand theory, no moral panic - just a wistful comparison that makes the audience fill in the uncomfortable rest: if fewer people are chasing "good", what exactly are they chasing instead?
The subtext is less "kids these days" than "the incentive structure changed". In Sykes's early grind, the gatekeepers were clubs, bookers, late-night sets, and the brutal feedback loop of bombing. Wanting to be "good" meant building material that could survive in any room, with any crowd, night after night. Now the comedy economy rewards a different kind of competence: being clip-ready, outrage-proof (or outrage-optimized), and brand-consistent. You can "win" without ever developing the muscle memory that comes from eating it onstage.
There's also a quiet jab at how celebrity leaks into the art form. People pursue comedy as a route to visibility, or as a content vertical, not as a discipline. Sykes doesn't deny ambition; she indicts the substitution of fame for mastery. The line works because it's deceptively plain. No grand theory, no moral panic - just a wistful comparison that makes the audience fill in the uncomfortable rest: if fewer people are chasing "good", what exactly are they chasing instead?
Quote Details
| Topic | Career |
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