"It was really terrific but Foreigner was nothing like Yes and that style did not suit our music"

The quote by Lou Gramm, "It was really terrific but Foreigner was nothing like Yes and that style did not suit our music," encapsulates a comparison in between 2 iconic rock bands, Foreigner and Yes, while also reviewing their distinct musical designs and how they align with Gramm's artistic vision. Lou Gramm, the lead singer of Immigrant, uses this assessment to explain the basic differences in musicality and possibly approach in between the two bands, along with how these differences influenced his own band's music.

Immigrant and Yes, both popular in the rock scene, run within different sub-genres. Immigrant is often associated with classic rock and arena rock, defined by its uncomplicated, radio-friendly hits combining aspects of rock, pop, and blues. Their music is typically accessible, with appealing hooks and unforgettable choruses, interesting a broad audience. On the other hand, Yes is known as a leader of progressive rock, a genre marked by its intricate structures, important virtuosity, and incorporation of varied musical impacts like classical and jazz. Yes's music frequently includes prolonged structures, thematic intricacy, and a tendency to push the borders of standard rock music.

Gramm's quote indicates an acknowledgment of the impressive and distinct nature of Yes's music, described as "really great," yet he at the same time acknowledges that Foreigner's musical identity and style diverge considerably from that of Yes. The expression "and that style did not fit our music" suggests a deliberate choice by Gramm and his bandmates to remain real to their distinct noise and artistic technique. This declaration highlights a regard for creative stability, highlighting the significance of staying authentic to one's musical roots rather than trying to mimic or integrate elements that may not line up with one's existing musical style.

In summary, Lou Gramm's reflection offers insight into the differing creative paths and identities of Foreigner and Yes, while underscoring the significance of adhering to a musical design that lines up with the band's vision and strengths.