"It's been so long since I've had sex I've forgotten who ties up whom"
About this Quote
Joan Rivers turns sexual drought into a one-liner that’s really about power, not pleasure. The joke lands because it treats intimacy like a set of stage directions you’d forget if you’ve been off Broadway too long: who hits their mark, who cues the next move, who’s in charge. “Who ties up whom” winks at BDSM, but the real punch is cognitive disorientation. It’s not just that she isn’t having sex; it’s that she’s been away from the whole economy of desire long enough to lose the script.
The subtext is classic Rivers: female libido, aging, and social invisibility jammed into a tidy insult aimed at herself and the culture. There’s self-deprecation, but it’s weaponized. By framing sex as something with roles and control, she sidesteps sentimental talk about loneliness and replaces it with a bracing, almost managerial humor: even kink becomes paperwork you can misfile. That’s how Rivers smuggles vulnerability past the bouncers of propriety.
Context matters because Rivers built a career on saying the “unladylike” thing first, before anyone could shame her for it. Coming from a woman whose public persona was both glamorous and perpetually “too much,” the line pokes at the way older women are expected to retire from sexuality. She refuses the retirement party, then heckles it. The laugh is partly shock, partly recognition: desire doesn’t vanish, it just gets socially edited out, and Rivers edits back with a punchline sharp enough to leave a mark.
The subtext is classic Rivers: female libido, aging, and social invisibility jammed into a tidy insult aimed at herself and the culture. There’s self-deprecation, but it’s weaponized. By framing sex as something with roles and control, she sidesteps sentimental talk about loneliness and replaces it with a bracing, almost managerial humor: even kink becomes paperwork you can misfile. That’s how Rivers smuggles vulnerability past the bouncers of propriety.
Context matters because Rivers built a career on saying the “unladylike” thing first, before anyone could shame her for it. Coming from a woman whose public persona was both glamorous and perpetually “too much,” the line pokes at the way older women are expected to retire from sexuality. She refuses the retirement party, then heckles it. The laugh is partly shock, partly recognition: desire doesn’t vanish, it just gets socially edited out, and Rivers edits back with a punchline sharp enough to leave a mark.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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