"It's funny; we never had anything like credibility. Even though we all have some sort of punk-rock background, but so what? I really don't care about that. What's credibility anyway? Who has credibility?"

In the quote by Mark McGrath, the lead singer of Sugar Ray, there is a reflection on the concept of reliability, especially within the music industry. McGrath starts by somewhat dismissively noting the absence of credibility traditionally related to his band. This might originate from the fact that Sugar Ray, known for its catchy pop-rock tunes, emerged from a background associated to punk-rock-- a genre frequently viewed as raw, defiant, and genuine. By contrasting their origins with their eventual business success, McGrath deals with a tension between credibility and mainstream acceptance.

The phrase "we never ever had anything like reliability" suggests a self-awareness about how they might be viewed by music critics or purists, who typically reward credibility. For lots of in the music scene, especially in punk-rock, trustworthiness is tied to remaining real to one's artistic vision, withstanding commercialization, and maintaining a defiant mindset. By acknowledging their background, McGrath highlights their connection to this genre understood for its anti-establishment principles.

However, McGrath quickly dismisses the significance of this trustworthiness with "so what? I really don't care about that". This reveals a pragmatic approach to music and success, where personal or band authenticity may not line up with external judgments. Here, McGrath challenges the concept that credibility is naturally important, questioning the criteria by which it is evaluated and designated.

His rhetorical concern, "What's trustworthiness anyway? Who has reliability?" recommends that he sees the concept as subjective, possibly fluid, and arbitrarily constructed by societal norms or media narratives. By questioning who is considered credible, McGrath presumes that credibility may not be as significant or conclusive as it appears, and that maybe imaginative freedom and taking pleasure in the music without being constrained by labels and expectations is of higher value. This perspective invites listeners and critics alike to reevaluate how they worth and interpret creative stability within an artist's career.