"It's inevitable that if you do okay on something like that you don't just annoy people, that it will make a difference because it seemed like such a lot of people so, yes I would have to say that it has done"
About this Quote
Jo Brand’s line lands like a shrug that knows exactly how much it’s carrying. The sentence is awkward, self-correcting, full of hedges ("inevitable", "if you do okay", "something like that") that read less like uncertainty than strategy: a comedian’s refusal to sound self-important while still claiming impact. It’s the voice of someone who’s been trained by the room to downplay authority, then quietly refuses to.
The key move is the pivot from "annoy people" to "make a difference". Brand acknowledges the baseline expectation for women in comedy, especially those who don’t fit the industry's preferred template: you’re supposed to be "a bit much", a problem to be managed, a friction in the atmosphere. "Annoy" is doing work here. It frames backlash as predictable noise rather than meaningful critique, which is a subtle power play. If irritation is inevitable, then so is the cultural shift that follows surviving it.
Contextually, this feels like a retrospective on breaking through - not as a heroic breakthrough narrative, but as a weary accounting. The muddled syntax mirrors the reality of influence: you don’t get a clean victory lap; you get a sense that you’ve moved the needle because you can’t ignore the scale of the response ("such a lot of people"). The subtext is both modest and defiant: I didn’t set out to be a symbol, but you made me one, and yes, it changed things.
The key move is the pivot from "annoy people" to "make a difference". Brand acknowledges the baseline expectation for women in comedy, especially those who don’t fit the industry's preferred template: you’re supposed to be "a bit much", a problem to be managed, a friction in the atmosphere. "Annoy" is doing work here. It frames backlash as predictable noise rather than meaningful critique, which is a subtle power play. If irritation is inevitable, then so is the cultural shift that follows surviving it.
Contextually, this feels like a retrospective on breaking through - not as a heroic breakthrough narrative, but as a weary accounting. The muddled syntax mirrors the reality of influence: you don’t get a clean victory lap; you get a sense that you’ve moved the needle because you can’t ignore the scale of the response ("such a lot of people"). The subtext is both modest and defiant: I didn’t set out to be a symbol, but you made me one, and yes, it changed things.
Quote Details
| Topic | Success |
|---|---|
| Source | Help us find the source |
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