"John is a cottage industry in Baltimore and the city opens its doors for him whenever he is making a new film"

Mink Stole's quote, "John is a cottage industry in Baltimore and the city opens its doors for him whenever he is making a new film", speaks volumes about John Waters' influence and relationship with the city of Baltimore. At its core, this statement shows how Waters, frequently called the Pope of Trash, has integral ties to Baltimore, just like a self-contained home industry. This metaphor not only captures Waters' self-sustaining imagination and efficiency but also highlights how he has become a popular cultural phenomenon mainly independent of the standard show business's support group.

A cottage market generally refers to small-scale, home-based operations where goods are produced manually instead of being mass-produced in factories. By comparing Waters to a cottage market, Mink Stole suggests that he runs on an unique imaginative plane, crafting his movies with a personal touch and intimate scale, often featuring repeating stars from his circle like Stole herself. This approach mirrors the DIY values of lots of independent filmmakers, where credibility and individual vision take precedence over industrial factors to consider.

Additionally, the expression "the city opens its doors for him" describes the shared love and support Waters enjoys from Baltimore. The city, known for its wacky charm and abundant cultural landscape, forms a vital backdrop for Waters' work. In return, his films have actually cast a spotlight on Baltimore, commemorating its peculiarities and amplifying its cultural voice on the worldwide stage. Baltimore's welcome of Waters is unique; it represents a space where his distinctive design and avant-garde perceptiveness are not just accepted however commemorated. This cooperative relationship further underlines how Waters and Baltimore jointly affect each other's identities and stories.

Ultimately, Mink Stole's quote encapsulates a deep, familial bond in between an artist and his muse-city, highlighting how Waters' existence is both an item of Baltimore's distinct cultural fabric and a factor to its continuous story.