"Love is the emotion that a woman feels always for a poodle dog and sometimes for a man"
About this Quote
A poodle, in Nathan's world, is the safest object of devotion: cute, compliant, and incapable of the particular letdowns men specialize in. The line lands because it flatters and insults at once. It pretends to be a wry compliment to female constancy, then pivots into a dagger aimed at heterosexual romance: a man has to compete with a dog for emotional reliability, and often loses.
Nathan was a critic by trade and a cynic by temperament, writing in an early 20th-century milieu where urban sophistication meant treating sentiment like a gullible cousin from the provinces. The joke isn't really about poodles; it's about the precarious status of male entitlement. By choosing a poodle, not a noble hound or working dog, he sharpens the satire: the animal is a luxury accessory, a creature bred for companionship. Love, the quote implies, may be less a grand moral achievement than a preference for low-risk intimacy - affection without negotiation.
The gender politics are the engine. Women are cast as naturally nurturing yet selectively romantic; men are framed as intermittently lovable, which is Nathan's way of smuggling in a broader thesis about inconsistency, vanity, and the transactional nature of courtship. It's also a performance of worldly knowingness: the speaker signals he has seen behind the curtain of romance and found habit, comfort, and power dynamics.
Read now, it scans as both funny and dated - a boulevard quip built on stereotypes - but its sting still works because it targets a recognizable fear: that devotion is earned less by destiny than by daily behavior, and that an unglamorous creature might deserve it more.
Nathan was a critic by trade and a cynic by temperament, writing in an early 20th-century milieu where urban sophistication meant treating sentiment like a gullible cousin from the provinces. The joke isn't really about poodles; it's about the precarious status of male entitlement. By choosing a poodle, not a noble hound or working dog, he sharpens the satire: the animal is a luxury accessory, a creature bred for companionship. Love, the quote implies, may be less a grand moral achievement than a preference for low-risk intimacy - affection without negotiation.
The gender politics are the engine. Women are cast as naturally nurturing yet selectively romantic; men are framed as intermittently lovable, which is Nathan's way of smuggling in a broader thesis about inconsistency, vanity, and the transactional nature of courtship. It's also a performance of worldly knowingness: the speaker signals he has seen behind the curtain of romance and found habit, comfort, and power dynamics.
Read now, it scans as both funny and dated - a boulevard quip built on stereotypes - but its sting still works because it targets a recognizable fear: that devotion is earned less by destiny than by daily behavior, and that an unglamorous creature might deserve it more.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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