"Maybe some of today's papers have too many 'feel-good' features, but there is a lot of good news out there"
About this Quote
Bradlee’s sentence reads like a gruff corrective aimed at two audiences at once: the newsroom tempted by syrupy “uplift,” and the public addicted to complaining that the media only peddles doom. The opening concession - “Maybe some of today’s papers have too many ‘feel-good’ features” - is classic editor’s knife work. He grants the critique just enough oxygen to seem fair, then immediately reframes it. The scare quotes around “feel-good” do real labor: they mark the genre as a packaging strategy, a kind of emotional product, not a rigorous category of reporting. Bradlee isn’t defending sentimental storytelling; he’s defending the idea that reality contains more than catastrophe.
The second clause - “but there is a lot of good news out there” - is where his subtext sharpens. It insists that optimism doesn’t have to be manufactured; it can be discovered, reported, verified. Coming from the longtime Washington Post editor associated with adversarial journalism and Watergate-era seriousness, the line carries a quiet provocation: skepticism is not the same as cynicism. A tough newsroom can still acknowledge progress without becoming a cheerleading operation.
Contextually, the remark sits in a late-20th-century media argument that feels eerily current: the fear that newspapers chase attention by either sensational misery or, in backlash, saccharine “positive” features. Bradlee draws a boundary: journalism’s job isn’t to manage the reader’s mood. It’s to tell the truth, even when the truth includes competence, repair, and small victories that don’t fit the disaster template.
The second clause - “but there is a lot of good news out there” - is where his subtext sharpens. It insists that optimism doesn’t have to be manufactured; it can be discovered, reported, verified. Coming from the longtime Washington Post editor associated with adversarial journalism and Watergate-era seriousness, the line carries a quiet provocation: skepticism is not the same as cynicism. A tough newsroom can still acknowledge progress without becoming a cheerleading operation.
Contextually, the remark sits in a late-20th-century media argument that feels eerily current: the fear that newspapers chase attention by either sensational misery or, in backlash, saccharine “positive” features. Bradlee draws a boundary: journalism’s job isn’t to manage the reader’s mood. It’s to tell the truth, even when the truth includes competence, repair, and small victories that don’t fit the disaster template.
Quote Details
| Topic | Optimism |
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