"Modesty is a quality in a lover more praised by the women than liked"
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Richard Brinsley Sheridan offers an insight into the distinction between what is publicly valued and what is genuinely desired in relationships. The quality of modesty , often considered a virtue, evoking humility, restraint, and decorum , is elevated in romantic discourse and societal expectations, especially regarding lovers. Women, shaped by cultural norms, are encouraged to praise modesty, lauding it as a desirable trait that reflects refinement and reliability. However, Sheridan suggests that the outward celebration of modesty does not always mirror true personal preference.
Beneath the surface, the realities of romantic attraction can clash with social prescriptions. Modesty may be esteemed as a mark of gentleness or trustworthiness, yet, in the private dynamics of attraction, it might lack the spark or assertiveness that kindles passion. Women might verbally admire lovers who display humility and reserve, applauding these attributes in public or conversation, perhaps even feeling pressure to do so because of conventional values inherited from family, tradition, or community standards.
At the same time, unspoken desire can tilt towards boldness, confidence, or a certain charismatic presence , qualities that convey strength or excitement, challenging the purely modest lover’s appeal. There exists a tension: modesty is respected and publicly endorsed, but it may not always provoke the visceral affection or intrigue that forms the foundation of romantic fulfillment. Social expectations demand one response, while personal inclinations beckon another.
The observation exposes both the complexities of romantic ideals and the subtle negotiations between public morality and private desire. Sheridan’s words invite contemplation on authenticity- the gap between what people believe ought to be attractive and what they actually yearn for. In celebrating the lover’s modesty, a woman aligns herself with virtue and societal approval; in the quiet privacy of longing, different qualities may capture her heart. This paradox remains relevant, reminding us that praise and preference do not always march in step.
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Source | Richard Brinsley Sheridan, 'The School for Scandal', 1777. |
Tags | Women |
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