"Music is a great energizer. It's a language everybody knows"
About this Quote
Hicks treats music like a stimulant and a smuggled manifesto, which is classic him: start with something almost Hallmark-simple, then let it detonate in your head. Calling music “a great energizer” isn’t about pep; it’s about mobilization. In Hicks’s worldview, the culture isn’t neutral entertainment, it’s either anesthesia (TV, advertising, the whole corporate lullaby) or ignition. Music, at its best, jolts you awake, puts a pulse back in a body numbed by consumer routine. “Energizer” also nods to the battery brand: a sly reminder that modern life runs on manufactured power, but music offers a different current - human, volatile, harder to monetize.
“It’s a language everybody knows” reads like a comforting truism until you notice the provocation underneath. Hicks is staking a claim against gatekeepers: critics, politicians, and media institutions that decide whose stories count. Music bypasses the official channels. You don’t need permission, credentials, or even the same vocabulary to feel it. For a comedian who made a career out of puncturing polite consensus, that universality isn’t sentimental; it’s tactical. If everyone “knows” the language, then everyone can be reached - and maybe recruited.
Context matters: Hicks came up in an era of stadium rock, MTV, the drug war, and culture-war moralism, when music was both mass commodity and genuine counter-signal. He’s praising its capacity to cut across the lies, even as he’s warning that most of the time the system tries to drown that signal in noise.
“It’s a language everybody knows” reads like a comforting truism until you notice the provocation underneath. Hicks is staking a claim against gatekeepers: critics, politicians, and media institutions that decide whose stories count. Music bypasses the official channels. You don’t need permission, credentials, or even the same vocabulary to feel it. For a comedian who made a career out of puncturing polite consensus, that universality isn’t sentimental; it’s tactical. If everyone “knows” the language, then everyone can be reached - and maybe recruited.
Context matters: Hicks came up in an era of stadium rock, MTV, the drug war, and culture-war moralism, when music was both mass commodity and genuine counter-signal. He’s praising its capacity to cut across the lies, even as he’s warning that most of the time the system tries to drown that signal in noise.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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