"My favorite sounds are the high, spacey ones that are very ambient"

Andy Summers, famously referred to as the guitarist for the band The Cops, is priced quote as expressing his choice for "high, spacey ones that are extremely ambient" when going over noises. This declaration can be dissected to reveal his creative inclinations and potentially his method to music and imagination.

First of all, the option of "high" sounds might indicate a preference for tones that resonate with clarity and brightness. In musical terms, high noises typically describe those that inhabit the upper end of the frequency spectrum, which can be related to instruments like the guitar's greater strings, synth tones, and even specific percussive aspects. This preference suggests a leaning towards music that feels light, ethereal, and maybe boosting.

The term "spacey" is rich with connotative meaning. It might suggest noises that stimulate a sense of the expansive and boundless, looking like the vastness of outer space. Such noises can frequently be defined by reverb, hold-up effects, or lengthened notes that create an impression of range and marvel. Summer seasons might find these kinds of noises conducive to producing music that carries listeners beyond the mundanity of daily life, potentially engaging them in a journey of self-questioning or creativity.

"Ambient", the last descriptor in Summers' quote, describes a genre and design of music that highlights tone and atmosphere over standard musical structure or rhythm. Ambient music frequently focuses on developing mood through soundscapes and textures rather than relying on the conventional tunes or harmonic developments. With this in mind, Summers' affinity for ambient sounds exposes his creative interest in crafting immersive and reflective auditory experiences.

Jointly, these preferences mean Summers' more comprehensive creative vision. His gratitude for high, spacey, and ambient sounds highlights a desire to expand musical expression beyond common limits. By favoring such auditory components, he seeks to evoke feeling, produce atmosphere, and deal audiences an escape into a different acoustic dimension.