"My opposition to Interviews lies in the fact that offhand answers have little value or grace of expression, and that such oral give and take helps to perpetuate the decline of the English language"
About this Quote
Thurber’s gripe isn’t really with interviews; it’s with the modern cult of spontaneity pretending to be authenticity. As a comedian and meticulous prose stylist, he understood that “offhand” is a genre with its own traps: speed over shape, immediacy over meaning. The line “little value or grace of expression” is a jab at the idea that the first thing that comes out of your mouth is somehow the truest. For Thurber, the truth worth having is the kind you earn through revision.
The sly move is how he frames this as a public-spirited defense of English rather than a private artist’s preference for control. “Oral give and take” sounds democratic, even friendly, but he treats it as an engine of decay. That’s comic exaggeration with a moral edge: if conversation becomes the default medium for ideas, the language gets optimized for quick reactions, not precise thought. He’s anticipating a world where the interview is less a tool than a format that dictates what counts as intelligence: aphorisms, quips, hot takes.
Context matters. Thurber wrote in an era when radio, celebrity profiles, and mass-market magazines were turning writers into personalities on demand. He’s resisting the shift from authored work to performed self. The subtext is protective and a little elitist: let the sentences, not the author’s banter, do the talking. In Thurber’s hands, that elitism becomes punchline and warning at once.
The sly move is how he frames this as a public-spirited defense of English rather than a private artist’s preference for control. “Oral give and take” sounds democratic, even friendly, but he treats it as an engine of decay. That’s comic exaggeration with a moral edge: if conversation becomes the default medium for ideas, the language gets optimized for quick reactions, not precise thought. He’s anticipating a world where the interview is less a tool than a format that dictates what counts as intelligence: aphorisms, quips, hot takes.
Context matters. Thurber wrote in an era when radio, celebrity profiles, and mass-market magazines were turning writers into personalities on demand. He’s resisting the shift from authored work to performed self. The subtext is protective and a little elitist: let the sentences, not the author’s banter, do the talking. In Thurber’s hands, that elitism becomes punchline and warning at once.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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