"My two fingers on a typewriter have never connected with my brain. My hand on a pen does. A fountain pen, of course. Ball-point pens are only good for filling out forms on a plane"

In this quote, Graham Greene discuss the varying connections in between various writing instruments and the imaginative procedure. He contrasts the mechanical nature of the typewriter with the more natural, tactile engagement of writing by hand, particularly with a water fountain pen.

Greene begins by keeping in mind the detach he experiences when using a typewriter. For him, the act of typing appears to be a mechanical process that does not engage his creative faculties completely. This could suggest that the typewriter's performance and uniformity develop a barrier to the complimentary flow of concepts, as the physical act of pressing keys might lack the intimate involvement he finds essential for thoughtful expression.

In contrast, Greene describes how composing with a pen, especially a water fountain pen, develops a direct connection to his brain. This indicates a more fluid and intimate correspondence between thought and action. The water fountain pen, frequently related to elegance and tradition, offers a sensory experience through its smooth move on paper, requiring purposeful engagement and a slower rate that can cultivate reflection and imagination. This method of writing may motivate a more conscious and reflective approach, permitting Greene to process and articulate his thoughts with greater depth and accuracy.

Greene's mention of ball-point pens as being suitable only for mundane tasks like submitting types on an aircraft further stresses his choice for the water fountain pen's artistic and intimate qualities. Ball-point pens, representative of convenience and utility, lack the personal engagement he looks for. This perspective shows a wider commentary on how tools and methods effect creativity, suggesting that the instruments we choose can considerably influence our writing experience and the relationship between our thoughts and their expression.

In essence, Greene seems to advocate for a more standard and tactile technique to composing, where the physical act of engraving words on paper plays a crucial function in transporting creativity and connecting with one's inner thoughts.