"Now a movie with 30 million returns would be something very incredible and the producer can only get 10 to 15 million. This is only 100 thousands US dollars. This is not enough!"

In this quote, popular Chinese filmmaker Zhang Yimou highlights the financial dynamics of the film industry, particularly stressing issues about profitability and the circulation of revenues. Zhang appears to be going over the variation between a movie's gross returns and the net profit that actually reaches the manufacturer and other creators included.

To interpret this, we first look at what is indicated by "30 million returns". This most likely describes the box office gross revenue or overall earnings generated by a movie. For numerous projects, specifically those with high spending plans or at least considerable expectations, generating $30 million in revenue may indeed be outstanding but not amazing, particularly for a major motion picture, depending on the marketplace and context.

The crux of Zhang's declaration is the minimal share of profit that trickles down to the manufacturer. Regardless of the movie earning $30 million, manufacturers may wind up with just $10 to $15 million, with Zhang emphasizing its equivalence to "only 100 thousands US dollars". This appears to be a mistranslation or misconception-- maybe he indicated to reveal that even when charges and dispensations diminish the revenue margin, what's left for the manufacturers might sometimes seem like a smaller fraction than it ought to in relation to the effort and threat associated with filmmaking.

The key problem Zhang addresses is the high expense of filmmaking and distribution, wherein substantial revenue generated does not always translate into considerable earnings for the filmmakers. The stakeholders such as suppliers, exhibitors, and online marketers often take in a substantial part of the income, leaving the actual creators with less monetary benefit than one may anticipate offered the earnings figures. This underlines business challenges in the creative market, where financial return does not always relate to imaginative success or effort expended throughout the film's production. Zhang's declaration might hence be a critique or observation of how monetary returns are shared in the international film market, highlighting a need for more equitable distribution of earnings or more reliable monetary planning and method for filmmakers.