"Of course I've done musicals here in London"
About this Quote
It lands like a shrug, and that is the whole trick. "Of course I've done musicals here in London" sounds less like a boast than a gentle resetting of the room: Norman Wisdom reminding you, with mock-plain certainty, that his career was broader than the cuddly underdog persona people preferred to keep him inside.
The key word is "of course". It smuggles in status while pretending not to. Wisdom was often read as the little man getting kicked around by bosses and systems; that screen identity can make an actor seem small even when the résumé is huge. By leading with inevitability, he quietly flips the power dynamic: you may think of me as a comic victim, but the industry has treated me as a professional with range. The sentence is deflationary in the best British way: a self-promotional claim delivered in the key of modesty, so it doesn't feel like self-promotion at all.
"Here in London" does cultural work too. London is not just a location; it's the implied center of theatrical legitimacy, the place where musical theatre reads as craft, endurance, and live-wire skill. Wisdom isn't name-dropping a show; he's name-checking a standard. He can do the high-wire act of a musical, not just the pratfall.
Contextually, it's also a late-career corrective. Comics get boxed into a single era, a single mode. Wisdom's line resists that nostalgia trap, insisting on a fuller narrative: not merely a film clown remembered fondly, but a working entertainer who navigated the prestige economy without changing his accent.
The key word is "of course". It smuggles in status while pretending not to. Wisdom was often read as the little man getting kicked around by bosses and systems; that screen identity can make an actor seem small even when the résumé is huge. By leading with inevitability, he quietly flips the power dynamic: you may think of me as a comic victim, but the industry has treated me as a professional with range. The sentence is deflationary in the best British way: a self-promotional claim delivered in the key of modesty, so it doesn't feel like self-promotion at all.
"Here in London" does cultural work too. London is not just a location; it's the implied center of theatrical legitimacy, the place where musical theatre reads as craft, endurance, and live-wire skill. Wisdom isn't name-dropping a show; he's name-checking a standard. He can do the high-wire act of a musical, not just the pratfall.
Contextually, it's also a late-career corrective. Comics get boxed into a single era, a single mode. Wisdom's line resists that nostalgia trap, insisting on a fuller narrative: not merely a film clown remembered fondly, but a working entertainer who navigated the prestige economy without changing his accent.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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