"Once I start writing about something, it goes off rather fast, and sometimes details which might be interesting such as what the room looked like or what somebody said that was not exactly on the same subject tend to get lost"

Kenneth Koch's quote shows a common experience amongst authors, especially those absorbed in the imaginative process. He explains how, when he begins to write about a subject, his focus narrows intensely and the writing procedure speeds up. This acceleration doesn't always permit room for peripheral details that, while possibly improving the story, may divert the writer from their primary thematic trajectory. In stating that things "go off rather fast", Koch acknowledges the vibrant, and often mad, nature of composing, where concepts develop quickly and spontaneously.

The omission of information like the look of a space or tangential discussion highlights an imaginative tension in between keeping narrative momentum and enhancing the text with context and environment. These lost information can typically offer depth, develop state of mind, and boost realism. Nevertheless, Koch seems to imply there is a natural prioritization that occurs during writing, where the core message or theme takes dominance over extraneous decorations.

This phenomenon speaks with the writer's internal dispute between brevity and expansiveness. Koch's admission may resonate with numerous authors who discover themselves torn in between concise storytelling and the urge to paint a more vibrant image through detailed detail. The quote highlights a wider creative obstacle: the balance in between capturing a reader's attention with an engaging speed and completely immersing them worldwide the writer develops.

By acknowledging that some fascinating details may be "lost", Koch discreetly mentions the significance of revision, where an author can review these narratives and decide which elements are vital and which can be broadened or improved. His reflection offers insight into the layered intricacies of the writing procedure, where decision-making about material, style, and information can greatly form the reader's experience and the writer's intended impact.