"One of the joys of going to the movies was that it was trashy, and we should never lose that"

In the quote, "One of the joys of going to the movies was that it was trashy, and we must never lose that", Oliver Stone is highlighting both a classic and philosophical viewpoint regarding cinema. First of all, the word "trashy" is key. In this context, it most likely describes films that are low art or seriously well-known, but rather those that delight in the magnificent, the melodramatic, or the marvelous. These movies are not always pursuing a much deeper significance or crucial success, but rather objective to amuse and provoke an instant emotional action, whether through outrageous plots, amazing results, or larger-than-life characters.

Stone recommends that there is a specific delight and flexibility in the experience of such films. They can be taken pleasure in without pretense or the concern of intellectual examination. This kind of cinema celebrates the visceral and communal experience of movie-going. Audiences can leave reality, bonding over shared laughter and shock, which these "trashy" films use without apology. They provide a cultural example, accessible to all demographics, allowing individuals to bond over frequently shared experiences, jokes, and delights.

Furthermore, Stone's assertion that "we must never lose that" suggests a concern for the future of movie theater. It can be seen as a review of the current patterns in the film industry, which in some cases prioritize technical perfection, franchise-building, or Oscar-bait themes over the raw, unpolished, often audacious nature of "trashy" motion pictures. Stone supporters for maintaining this segment of filmmaking that welcomes imagination, risk-taking, and the essentials of home entertainment.

In essence, Oliver Stone's quote champs the concept that movie theater must remain a varied medium where various designs and purposes coexist. The "trashy" films serve as a suggestion that not every cinematic experience needs to be extensive or serious. Instead, there ought to constantly be space for motion pictures that focus on pleasure and the shared delight of a cumulative audience.