"One of the things I particularly enjoyed doing was taking raw sound from locations during the film, like the candy machine, and writing pieces of music to go with them, which is totally unnecessary within the context of the film, because they have their own logic"
- Fred Frith
About this Quote
Fred Frith, an ingenious musician and author known for his experimental method, speaks to a nuanced element of sound design and music composition in movie. His statement reflects a gratitude for the imaginative process that exceeds mere need or functionality. By concentrating on "taking raw sound from locations during the movie, like the candy maker," Frith demonstrates an interest in the distinct, typically overlooked noises present in everyday environments. This practice aligns with a broader avant-garde custom of discovering music in unexpected locations, recommending that even a mundane object like a sweet maker possesses a fundamental musicality or rhythm.
Frith's pleasure in making up music to accompany these raw sounds highlights a lively interaction between incidental noises and intentional musical development. This procedure is described as "completely unneeded within the context of the movie," acknowledging that these ambient noises already possess their "own reasoning." This suggests that the sounds fundamental to a location included a natural structure or story that bases on its own. However, Frith delights in the opportunity to overlay these natural soundscapes with his own music, developing a dialogue between the unexpected and the deliberate.
This approach not just enriches the auditory experience of a movie however likewise challenges standard notions of sound style. Instead of merely utilizing sound to support the visual aspects or story, Frith treats it as an equivalent partner in storytelling. His method motivates audiences to listen more deeply, finding significance and artistry in the everyday. This suggests a bigger philosophical perspective that values expedition and experimentation in art, recommending that the limits in between sound and music are permeable, inviting both artists and audiences to reimagine how they communicate with noise in cinematic contexts.
Eventually, Frith's statement is a testament to the delight of creative experimentation and the transformative potential of listening, highlighting the belief that sound itself can be an important, and in some cases valued, part of storytelling.
This quote is written / told by Fred Frith somewhere between February 17, 1949 and today. He/she was a famous Composer from England.
The author also have 21 other quotes.
"If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away"
"Jazz vision is the fusion of music and art a real paradox of same-yet different. Here we play in exchanges, like the hardness of the key of c# major and from the softness of Db major - capturing, reflecting and improvising"
