"One works in one's laboratory - one's chaotic laboratory - with students and colleagues, doing what one most wants to do - then all this happens! It is overwhelming"
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The line has the startled candor of a researcher ambushed by celebration. Hartline starts with the private, almost stubbornly ordinary world of “one’s laboratory,” then immediately roughens it into “one’s chaotic laboratory,” a self-portrait that resists the polished myth of genius. Chaos isn’t an insult here; it’s a quiet claim of authenticity. Real science is cluttered, social, improvised - full of students and colleagues, the people history often edits out when it turns discovery into a single name on a medal.
The syntax does the rest of the work. The repeated “one” creates distance, a formal mask that lets him confess emotion without sounding sentimental. It’s also a nod to the scientific voice - impersonal, controlled - now straining under the weight of something intensely personal. “Doing what one most wants to do” is almost childlike in its simplicity, an assertion that the deepest motivation wasn’t fame or legacy but the pleasure of inquiry itself.
Then the pivot: “then all this happens!” The exclamation point is the tell. Awards culture, institutional attention, maybe the Nobel-style swirl of public recognition arrives like weather, not a planned outcome. “It is overwhelming” lands as both gratitude and mild protest: an admission that the external narrative (honors, headlines, canonization) doesn’t match the lived experience of slow, collective, messy work. The subtext is a scientist reminding us that recognition is often the least scientific part of science.
The syntax does the rest of the work. The repeated “one” creates distance, a formal mask that lets him confess emotion without sounding sentimental. It’s also a nod to the scientific voice - impersonal, controlled - now straining under the weight of something intensely personal. “Doing what one most wants to do” is almost childlike in its simplicity, an assertion that the deepest motivation wasn’t fame or legacy but the pleasure of inquiry itself.
Then the pivot: “then all this happens!” The exclamation point is the tell. Awards culture, institutional attention, maybe the Nobel-style swirl of public recognition arrives like weather, not a planned outcome. “It is overwhelming” lands as both gratitude and mild protest: an admission that the external narrative (honors, headlines, canonization) doesn’t match the lived experience of slow, collective, messy work. The subtext is a scientist reminding us that recognition is often the least scientific part of science.
Quote Details
| Topic | Science |
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