"People like the idea of the trio and so I did mostly trio"

The quote by Jimmy Smith, "People like the idea of the trio and so I did mostly trio", provides insight into both his musical style and his approach to audience preferences. Jimmy Smith, a famous jazz organist, contributed in promoting the Hammond B-3 organ in jazz music. His choice to regularly perform with a trio can be viewed as both an artistic choice and a practical response to audience demand.

At the heart of this statement is the understanding that music is a social art kind that relies heavily on audience engagement and reception. Smith acknowledges that the trio format-- usually consisting of an organ, guitar, and drums-- was something that resonated with listeners. By choosing this format, he was not only staying real to what he thought could create a dynamic and interactive musical experience however likewise dealing with the tastes of his audience, which is vital for a carrying out artist.

The trio setup allowed Smith the freedom to explore the full harmonic and melodic capabilities of the organ while still accomplishing an abundant and balanced sound. With the simpleness and intimacy of a trio, each artist had area to contribute significantly to the texture of the music, allowing for higher improvisation and interaction. This format likewise likely attracted audiences for its clearness and the way it highlighted the virtuosic abilities of each musician.

Furthermore, the repetition of the word "trio" in the quote highlights its value not simply as a format but as a main theme in Smith's career. It suggests a deep-seated comfort and affinity with this structure, highlighting how main the trio format was to his identity as a performer.

Through this quote, Smith succinctly encapsulates his responsiveness to his audience's preferences while remaining true to an ensemble format that permitted his innovative style and technical prowess on the organ to shine. The trio ends up being not merely a choice of requirement or novelty however an avenue for a musical dialogue between the artist and his listeners.