"People say New Yorkers can't get along. Not true. I saw two New Yorkers, complete strangers, sharing a cab. One guy took the tires and the radio; the other guy took the engine"
About this Quote
Letterman’s joke works because it takes a civic stereotype (New Yorkers are too abrasive to coexist) and “proves” it with the kind of evidence only a comedian would submit: a cab-sharing scene that starts as a heartwarming thumbnail of urban cooperation and ends as petty larceny. The setup invites you to picture two strangers doing the decent, practical thing in a city built on tight space and tighter schedules. The punchline flips the moral valence in one beat: yes, they’re sharing, but they’re sharing the spoils of stripping a vehicle. Social harmony becomes a heist with manners.
The subtext isn’t just “New York is rough.” It’s that New York’s legendary efficiency and opportunism can be indistinguishable from civic virtue until you look closely. Everyone’s “getting along” as long as the transaction makes sense. Letterman turns communal problem-solving into a division of labor: one guy grabs the tires and radio, the other takes the engine. It’s not chaos; it’s coordination. That’s the sly part: the joke flatters the city’s competence even as it roasts its ethics.
Context matters, too. Letterman’s comedy persona thrived on puncturing media-friendly narratives with a deadpan pivot. In the era of late-night monologues about urban crime and big-city attitudes, this kind of gag didn’t merely recycle a stereotype; it refreshed it by dressing cynicism in the language of neighborliness. The laugh comes from recognizing how easily we accept “togetherness” as a story - and how quickly that story can be repurposed into a hustle.
The subtext isn’t just “New York is rough.” It’s that New York’s legendary efficiency and opportunism can be indistinguishable from civic virtue until you look closely. Everyone’s “getting along” as long as the transaction makes sense. Letterman turns communal problem-solving into a division of labor: one guy grabs the tires and radio, the other takes the engine. It’s not chaos; it’s coordination. That’s the sly part: the joke flatters the city’s competence even as it roasts its ethics.
Context matters, too. Letterman’s comedy persona thrived on puncturing media-friendly narratives with a deadpan pivot. In the era of late-night monologues about urban crime and big-city attitudes, this kind of gag didn’t merely recycle a stereotype; it refreshed it by dressing cynicism in the language of neighborliness. The laugh comes from recognizing how easily we accept “togetherness” as a story - and how quickly that story can be repurposed into a hustle.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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