"People who do not see the terrible things therefore do not see the beautiful things, either"

Klaus Kinski's quote, "People who do not see the awful things for that reason do not see the gorgeous things, either", encapsulates an extensive philosophical insight into the dual nature of human perception and experience. At its core, the quote recommends a cooperative relationship between the understanding of charm and the acknowledgment of suffering or ugliness.

To analyze this, we can begin by considering the principle of contrast as essential to perception. Much of our understanding and appreciation of experiences are defined by contrasts. Just as we value light only after understanding darkness, or value peace through the lens of mayhem, appeal often becomes discernible in the context of what is considered horrible. Those who overlook or avoid confronting the darker aspects of life may do not have the depth needed to fully appreciate its opposite.

On a mental level, this quote might show the need of welcoming the complete spectrum of human emotions and experiences to develop a complete and genuine gratitude of life. It suggests that protecting oneself from the extreme or unpleasant truths can cause a shallow view of life, where charm is only ostensibly acknowledged but not deeply understood. This resonates with the viewpoints that propose suffering as a catalyst for development, recommending that those who face and process pain can achieve a richer appreciation of appeal.

From a creative point of view, Kinski's belief lines up with the idea that art typically draws its power from the interaction between beauty and catastrophe. Artists frequently use this stress to generate psychological reactions, produce depth, and communicate profound truths. For that reason, an audience or developer attuned only to the surface-level charm may miss the deeper story and emotional resonance that contrast offers.

In essence, Kinski's quote is an invitation to engage totally with the spectrum of life's experiences. It motivates welcoming the world in its totality-- both the lovely and the terrible-- as a means to achieve a more profound and authentic understanding of our existence.