"Plays close, movies wrap and TV series eventually get cancelled, and we were cancelled in three season"

In the quote "Plays close, films wrap and television series eventually get cancelled, and we were cancelled in 3 seasons", George Takei makes use of the intrinsic transience of various home entertainment media formats to assess the impermanence of television series, including the one he is famously connected with, "Star Trek."

Takei begins by mentioning plays, which have a natural endpoint. The expression "plays close" catches the cyclical nature of theater productions that run their course and conclude once the drape falls on the final efficiency. Similarly, he keeps in mind that films "cover", a term utilized to symbolize the conclusion of filming. A motion picture, when covered, undergoes post-production and hits the theaters or streaming platforms with a prearranged ending, a pre-established period.

The mention of television series, nevertheless, presents an aspect of unpredictability. Unlike plays and motion pictures, television programs do not have a predefined conclusion. Their durability goes through numerous variables including rankings, viewership, and production costs, among others. Television series run within a market that is highly responsive to audience engagement and executive choices. Therefore, they can continue forever up until "eventually" they deal with cancellation.

Takei's addition of "we were cancelled in 3 seasons" individualizes this commentary, assessing "Star Trek: The Original Series", which aired for three seasons from 1966 to 1969. The early cancellation of "Star Trek" seemed at first like a failure, however the show went on to accomplish huge cult status, generating numerous spin-off series, movies, and a dedicated fanbase. Therefore, while the quote acknowledges the inevitable end to various home entertainment formats, it likewise implicitly recommends that endings do not always lessen the impact or legacy of a creative work.

By framing cancellations and conclusions as a natural course of occasions in the show business, Takei pragmatically assesses how endings can result in new beginnings, transformations, or enduring influence. In his succinct however informative commentary, Takei not only attends to the impermanence of media but also mentions the long lasting tradition that can follow.