"Praise and criticism seem to me to operate exactly on the same level. If you get a great review, it's really thrilling for about ten minutes. If you get a bad review, it's really crushing for ten minutes. Either way, you go on"
About this Quote
Patchett flattens the emotional hierarchy we pretend exists between applause and disdain. The sly move is the stopwatch: ten minutes of thrill, ten minutes of ruin. By giving both reactions the same tiny window, she demystifies the critic’s power and exposes how quickly our nervous systems metabolize judgment. It’s not that praise and criticism are equal in quality; it’s that they’re equal in their volatility. The line reads like a seasoned writer talking herself off the ledge, but it’s also a quiet rebuke to a culture that treats reviews as moral verdicts.
The intent is pragmatic, almost behavioral. She’s describing a craft life where the work is the only stable thing, and everything else is weather. Reviews arrive as a kind of public intimacy: strangers claim authority over something you made in private. Patchett’s subtext is that letting that authority seep too deep is a professional hazard. If you build your identity on “great review,” you’ve already handed someone else the blueprint for “crushing.”
Context matters: publishing is a long game where one book’s reception can distort the next book’s expectations, your sales, your invitations, your sense of legitimacy. Patchett isn’t denying that reviews have consequences; she’s separating consequence from self-worth. “Either way, you go on” lands as a writer’s credo and a survival tactic: keep producing, keep reading, keep living. The critics can spike your pulse, but they don’t get to steer the ship.
The intent is pragmatic, almost behavioral. She’s describing a craft life where the work is the only stable thing, and everything else is weather. Reviews arrive as a kind of public intimacy: strangers claim authority over something you made in private. Patchett’s subtext is that letting that authority seep too deep is a professional hazard. If you build your identity on “great review,” you’ve already handed someone else the blueprint for “crushing.”
Context matters: publishing is a long game where one book’s reception can distort the next book’s expectations, your sales, your invitations, your sense of legitimacy. Patchett isn’t denying that reviews have consequences; she’s separating consequence from self-worth. “Either way, you go on” lands as a writer’s credo and a survival tactic: keep producing, keep reading, keep living. The critics can spike your pulse, but they don’t get to steer the ship.
Quote Details
| Topic | Resilience |
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