"Ray had so much love of life and the music. He had so much integrity. He treated the music with so much dignity and respect. I spent four and a half years as a sideman with Ray Brown's trio. Music was his life, more so than anyone I could mention"

In this quote, Benny Green reviews the deep admiration and respect he holds for Ray Brown, an extremely prominent jazz double bassist understood for his extraordinary musicianship and extensive influence on the category. The quote serves not just as a homage to Ray Brown's legacy however also as a testimony to his character and the worths he embodied.

To start with, Green highlights Brown's "love of life and the music". This suggests that Brown approached both his personal life and his music with enthusiasm and vigor. To like life broadly indicates a gratitude for the experiences and connections it uses, while a love for music suggests a specific, withstanding dedication to his craft. Such dedication likely sustained his imagination and innovation, continuously inspiring those around him.

The mention of Brown's "integrity" points to an ethical quality in both his personal interactions and his expert endeavors. In music, this may manifest as a commitment to excellence, authenticity, and perhaps a rejection to compromise artistic values for business success. Integrity in music, particularly within allure community, can typically indicate adhering to one's artistic vision while fostering cooperation and regard among fellow artists.

Green emphasizes how Brown "treated the music with so much self-respect and respect", suggesting a respect for not just the craft of music, but for its cultural significance and its potential to interact profound human feelings. This respect most likely translated into careful attention to information in efficiencies and recordings, as well as a recognition of the music's roots and advancement.

His declaration about spending "four and a half years as a sideman with Ray Brown's trio" provides a personal measurement, indicating that Green's reflections are grounded in direct experience and observation. Being a sideman recommends a learning and accompaniment role, often providing abundant chances to take in the wisdom and artistry of skilled musicians like Brown.

Finally, the assertion that "Music was his life, more so than anyone I could discuss" underscores Brown's particular dedication. It paints an image of a male whose identity and existence were inherently connected to his art. Such commitment likely motivated those around him and cemented his status as an essential figure in the world of jazz. Through Green's words, we not just see an event of Brown's career but likewise an invitation to appreciate the profound connection between life and art that Brown exhibited.