"She loses 50 pounds in the film, and goes from fairly sane to totally out of her mind. So for the first part of the film I was wearing a 40 pound fat suit, which is very, very uncomfortable. But the worst part was the neck"

In this quote, Ellen Burstyn is discussing her experience depicting a character who goes through substantial physical and psychological modifications in a movie. The quote offers insight into both the useful challenges of acting and the depths of her character's transformation.

The "50 pounds" mentioned represents a dramatic weight-loss, usually a metaphorical or literal depiction of a character's improvement. Burstyn's character experiences a stark transition, showed externally in her weight and internally in her mindset. This duality suggests heavy styles in the film, possibly touching on problems like body image, societal pressures, or psychological health.

The recommendation to going "from fairly sane to absolutely out of her mind" stresses a narrative or thematic arc within the movie, highlighting a descent into chaos or instability. This indicates that the character's journey is as much about internal mental changes as it has to do with physical appearance. It might recommend a storyline including components like fascination, addiction, or injury, where the character's grip on reality ends up being progressively tenuous.

Burstyn then supplies a glimpse into the physical demands of the function, specifically mentioning the "40-pound fat fit", which was "really, very uncomfortable". This detail underscores the lengths to which actors go to authentically populate their functions and bring stories to life on screen. The discomfort implies a rigorous, possibly even intense, preparation process for Burstyn, reflecting the dedication and commitment needed for approach acting.

Finally, the expression "worst part was the neck" accentuates an often-overlooked element of outfit design-- the practical struggles actors might endure. The neck, possibly narrowed or restricted by the match, might have triggered pain or prevented motion, affecting both the performance and Burstyn's personal convenience. In amount, this quote from Ellen Burstyn provides a window into the intensity of acting, particularly when embodying a complex character with extensive changes, while also discussing the sacrifices made in pursuit of an engaging performance.