"Since I was seventeen I thought I might be a star. I'd think about all my heroes, Charlie Parker, Jimi Hendrix... I had a romantic feeling about how these people became famous"
About this Quote
Basquiat’s confession isn’t the wide-eyed dream of fame so much as a diagnosis of how fame gets mythologized. “Since I was seventeen” lands like a timestamp and a warning: he’s naming the moment ambition hardens into narrative. The line moves fast from “I might be a star” to a roll call of heroes, and that’s the tell. He isn’t just admiring Charlie Parker and Jimi Hendrix; he’s studying the machinery that turns volatility into legend.
The subtext is double-edged. “Romantic feeling” sounds tender, even naive, but it’s also a critique of romance as a cultural solvent: it dissolves labor, discipline, and exploitation into a clean story of genius. Parker and Hendrix are not neutral references; they’re icons of Black brilliance devoured by adoration, industry pressure, and early death. Basquiat is signaling that he understands the bargain: visibility as both amplifier and trap.
Context sharpens the intent. Coming up in late-70s/early-80s New York, Basquiat watched downtown art, music, and street culture get rapidly translated into commodity. He learned that becoming “a star” wasn’t just personal desire; it was a market role, an image to be produced and consumed. So the quote works as self-mythmaking with a flinch built in: he wants the aura, but he’s already suspicious of the script. The romance is real. So is the cost.
The subtext is double-edged. “Romantic feeling” sounds tender, even naive, but it’s also a critique of romance as a cultural solvent: it dissolves labor, discipline, and exploitation into a clean story of genius. Parker and Hendrix are not neutral references; they’re icons of Black brilliance devoured by adoration, industry pressure, and early death. Basquiat is signaling that he understands the bargain: visibility as both amplifier and trap.
Context sharpens the intent. Coming up in late-70s/early-80s New York, Basquiat watched downtown art, music, and street culture get rapidly translated into commodity. He learned that becoming “a star” wasn’t just personal desire; it was a market role, an image to be produced and consumed. So the quote works as self-mythmaking with a flinch built in: he wants the aura, but he’s already suspicious of the script. The romance is real. So is the cost.
Quote Details
| Topic | Music |
|---|
More Quotes by Jean-Michel
Add to List





