"Sketches have characters, exits, entrances and are vastly different"
About this Quote
The specific intent is corrective. Cross isn’t romanticizing sketch comedy; he’s demystifying it. A sketch has architecture. Characters aren’t just people saying funny things; they’re engines with a point of view. Entrances and exits aren’t stage directions; they’re pacing, escalation, and control of attention. He’s smuggling a screenwriting lesson into a one-liner.
The subtext is also defensive: sketch is its own discipline, not stand-up with costumes. Cross came up in a comedy culture (SNL, Mr. Show, alt-comedy rooms) where sketch was either treated as a factory product or as “random” absurdism. His line argues that even absurdity has rules, and that the rules are what make the weirdness land.
Contextually, it reads like a reaction to the churn of modern comedy, where the pressure is to be fast, shareable, and disposable. Cross is insisting that sketch, at its best, is built, not merely performed. The bluntness is the point: if you don’t understand the fundamentals, you’re not breaking rules - you’re just skipping them.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Cross, David. (2026, January 16). Sketches have characters, exits, entrances and are vastly different. FixQuotes. https://fixquotes.com/quotes/sketches-have-characters-exits-entrances-and-are-139642/
Chicago Style
Cross, David. "Sketches have characters, exits, entrances and are vastly different." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/sketches-have-characters-exits-entrances-and-are-139642/.
MLA Style (9th ed.)
"Sketches have characters, exits, entrances and are vastly different." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/sketches-have-characters-exits-entrances-and-are-139642/. Accessed 6 Feb. 2026.



