"So, I kind of rather was hoping that people thought it would have a nice mixture of different topics and it also takes in the fact that I've had two children recently"
About this Quote
Jo Brand’s line is doing what her comedy so often does: smuggling a whole worldview into a deliberately ungainly sentence. The hedges stack up - “So,” “I kind of rather,” “was hoping” - as if she’s apologizing for having intentions at all. That’s not verbal clutter; it’s strategy. Brand leans into a self-effacing, conversational wobble that disarms the audience before she lands the real point: her work is being framed, inevitably, through maternity.
The ostensible topic is content programming (“a nice mixture of different topics”), the kind of polite packaging you’d use to sell a book, a show, or a set. But the tell is the add-on: “and it also takes in the fact that I’ve had two children recently.” That phrasing makes childbirth sound like a scheduling detail, something to be “taken in” alongside other themes. It’s funny because it’s true: public-facing women, especially in comedy, are expected to incorporate motherhood as proof of relatability, softness, growth - a narrative arc that can quietly domesticate their edge.
Brand’s intent reads as preemptive boundary-setting. She’ll acknowledge the kids, but on her terms, as one ingredient, not the headline. The subtext pushes back on a culture that treats women’s life events as mandatory content and expects them to be grateful for the “new material.” The casual tone is the point: she’s making the demand sound as banal as it often is, then letting the banality indict itself.
The ostensible topic is content programming (“a nice mixture of different topics”), the kind of polite packaging you’d use to sell a book, a show, or a set. But the tell is the add-on: “and it also takes in the fact that I’ve had two children recently.” That phrasing makes childbirth sound like a scheduling detail, something to be “taken in” alongside other themes. It’s funny because it’s true: public-facing women, especially in comedy, are expected to incorporate motherhood as proof of relatability, softness, growth - a narrative arc that can quietly domesticate their edge.
Brand’s intent reads as preemptive boundary-setting. She’ll acknowledge the kids, but on her terms, as one ingredient, not the headline. The subtext pushes back on a culture that treats women’s life events as mandatory content and expects them to be grateful for the “new material.” The casual tone is the point: she’s making the demand sound as banal as it often is, then letting the banality indict itself.
Quote Details
| Topic | New Mom |
|---|---|
| Source | Help us find the source |
More Quotes by Jo
Add to List



